Roma Culture in Europe

Romani people are most famous in Europe for their rich musical culture. The words Roma and Romani have different spellings, and there are many ways that Roma people may be called, some are correct while others are racist slang.

Oftentimes people wonder if the word Gypsy is correct or not, here is a short guide: if you are not Gypsy yourself and if you are not talking about the pop flamenco band Gypsy Kings, do not use that word, simply use the word Roma – or when possible, ask the person how they prefer to be referred to.
The word Gypsy is only used to speak about a specific group of Roma folks who mostly live in Spain or the South of France, Gypsy is never written without an upper G as it refers to an ethnic group (same as Asians or Arabs for example), and it should never be used to describe a person living a bohemian lifestyle.

What about Gypsy Jazz you might ask? The genre is usually credited to Django Reinhardt who was Manouche, another community of the Roma diaspora, so a better name for that music is Jazz Manouche. The same as nobody would call a Spaniard a Brit, there is no reason to mix up different groups of the Roma diaspora, especially because the word Gypsy as a blanket term for all Roma folks has mostly been used as a racist slur during the Holocaust or Pogroms of World War II, when an approximate half of the Roma population was murdered – surely this is not a memory we should casually bring up when talking about jazz.

Some will say the Holocaust was a long time ago, we can rehabilitate the term… While Romas are the biggest minority in Europe (1 to 10% depending on the country), they are still widely discriminated against: cultural funding is not distributed in proportion to the number of Roma people in the EU, Roma folks are refused education/jobs/housing/paperwork, the Roma genocide is often forgotten, average Europeans are not even sure what a Roma person and their challenging history are, which leads to micro-agressions, all the way to forced sterilisation and hate crimes such as burning homes or lynching.

If you would like to know more about where Roma people come from and what sort of music and dance they have brought to Europe all the way from India over several centuries, the film Latcho Drom is a great intro, or if you want an example of how Roma music influenced or was influenced by other cultures, here are a podcast & feature and an Andalusia-themed radio show. In Berlin, there is a Roma film fest every year, Flamenco dance or guitar lessons are quite popular as are Jazz Manouche concerts and jams, you can also visit the European Roma Institute for Arts and Culture for more info.

DEI in cultural public funding

One could argue that public funding is the backbone of culture in Europe. We could also argue that the level of support given from several European countries to the arts is fantastic compared to other rich nations whose governments cannot be bothered. But the system is not perfect, and decisions made by government organisations on what arts and culture they deem worthy of supporting can reflect the narrow tastes of decision makers and entrench discrimination. In order for public funding of the arts to be a tool of democracy and support a vibrant and varied arts scene, there needs to be consideration for Diversity, Equity, and Inclusion in the selection and distribution process.

Learn more by reading the full article in Mixmag, and listening the two-part companion podcast on dublab on their website or from the players below, and feel free to send in your questions or own examples via info @ dif-ev .org or via the (anonymous) contact form if you prefer. Make sure to mention whether your examples can be added to our public or private research or not at all. We are also happy to exchange and share some of our extended research on DEI in public funding upon request.

While this DEI in cultural funding overall research started ca five years ago, this specific podcast came to life thanks to the DEI 2023 group project. Here you can read about the initial discrimination issues and here is the resolution statement; in the podcast you will hear from different actors in this specific case but also about general matters of institutional discrimination. DEI 2023 has published one more podcast in German, and you can also enjoy some VR concerts via Diasporic Arts Alliance.

 

Podcast credits: EU grant specialist Alessandro De Angelis, Barbara Gande from ADNB, musician Grinderteeth, drag artist HP Loveshaft, researcher Janishia Jones, Joe Frankland from PRS Foundation & Keychange, artist Malonda, music writers Marcus Barnes & Patrick Hinton, curator Sandira Blas, and singer-songwriter Wizzy.
With thanks to Sarah Kivi for the studio recording and editing, Orchestral Tools for the studio space, and to Jason Jervis for mixing.

Podcast & tracklist 1/2: AK18T (Sarah Kivi remix) – Dimitri Pike

Podcast & tracklist 2/2:
Perpetual Destruction (Sarah Kivi mix) – Nbor vs. Dylan Wexler
Feuerfrau (Tiffadelic remix) – Malonda
Blood of Medusa – Ginderteeth